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CP3SP33SMS/NOPB Datasheet(PDF) 222 Page - Texas Instruments |
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CP3SP33SMS/NOPB Datasheet(HTML) 222 Page - Texas Instruments |
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222 / 407 page ![]() CP3SP33 SNOSCW5 – MAY 2013 www.ti.com 24.1.4 Serial Receive Data (SRD) The SRD pin is used as an input when data is shifted into the Audio Receive Shift Register (ARSR). In asynchronous mode, data on the SRD pin is sampled on the negative edge of the serial receive shift clock (SRCLK). In synchronous mode, data on the SRD pin is sampled on the negative edge of the serial shift clock (SCK). The data is shifted into ARSR with the most significant bit (MSB) first. 24.1.5 Serial Receive Clock (SRCLK) The SRCLK pin is a bidirectional signal that provides the receive serial shift clock in asynchronous mode. In this mode, data is sampled on the negative edge of SRCLK. The SRCLK signal may be generated internally or it may be provided by an external clock source. In synchronous mode, the SCK pin is used as shift clock for both the receiver and transmitter, so the SRCLK pin is available for use as a general- purpose port pin or an auxiliary frame sync signal to access multiple slave devices (e.g. codecs) within a network (see Network mode). 24.1.6 Serial Receive Frame Sync (SRFS) The SRFS pin is a bidirectional signal that provides frame synchronization for the receiver in asynchronous mode. The frame sync signal may be generated internally, or it may be provided by an external source. In synchronous mode, the SFS signal is used as the frame sync signal for both the transmitter and receiver, so the SRFS pin is available for use as a general-purpose port pin or an auxiliary frame sync signal to access multiple slave devices (e.g. codecs) within a network (see Network mode). 24.2 Audio Interface Modes There are two clocking modes: asynchronous mode and synchronous mode. These modes differ in the source and timing of the clock signals used to transfer data. When the AAI is generating the bit shift clock and frame sync signals internally, synchronous mode must be used. There are two framing modes: normal mode and network mode. In normal mode, one word is transferred per frame. In network mode, up to four words are transferred per frame. A word may be 8 or 16 bits. The part of the frame which carries a word is called a slot. Network mode supports multiple external devices sharing the interface, in which each device is assigned its own slot. Separate frame sync signals are provided, so that each device is triggered to send or receive its data during its assigned slot. 24.2.1 Asynchronous Mode In asynchronous mode, the receive and transmit paths of the audio interface operate independently, with each path using its own bit clock and frame sync signal. The frame sync signals must be supplied externally. 24.2.2 Synchronous Mode In synchronous mode, the receive and transmit paths of the audio interface use the same shift clock and frame sync signal. The bit shift clock and frame sync signal for both paths are derived from the same set of clock prescalers. 24.2.3 Normal Mode In normal mode, each rising edge on the frame sync signal marks the beginning of a new frame and also the beginning of a new slot. A slot does not necessarily occupy the entire frame. (A frame can be longer than the data word transmitted after the frame sync pulse.) Typically, a codec starts transmitting a fixed length data word (e.g. 8-bit log PCM data) with the frame sync signal, then the codec’s transmit pin returns to the high-impedance state for the remainder of the frame. The Audio Receive Shift Register (ARSR) deserializes data received on the SRD pin (serial receiver data). Only the data sampled after the frame sync signal are treated as valid. If the interface is interrupt-driven, valid data bits are transferred from the ARSR to the receive FIFO. If the interface is configured for DMA, the data is transferred to the receive DMA register 0 (ARDR0). 222 Advanced Audio Interface Copyright © 2013, Texas Instruments Incorporated Submit Documentation Feedback Product Folder Links :CP3SP33 |
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